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|Art||Norbert Bolz, Willem van Reijen, Walter Benjamin Frankfurt 1991
Art/Benjamin: only in the process of its interpretation the work becomes that as what it is interpreted as. Benjamin always compares the object of art with Leibniz's monad.
Art/Benjamin: Benjamin does not argue that the antinomy of art and folklore is solvable. Instead: Utopia of a "Literarization of the living conditions".
Frightening is to be realized into recognition.
Provisional: a) provisional - b) anticipatory
Dissolving of purely aesthetic categories into political and history-theological theories.
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