Philosophy Lexicon of Arguments

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Adorno, Th.W.
 
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Aesthetics Grenz I 182
Aesthetics/Adorno/Grenz: the natural history conception of the interpretation of social history is part of the theory of the genesis of truth from the false appearance. This theory, however, derives its concept of truth from aesthetics. Therefore aesthetics must occur as a part of natural history.
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I 184
Autonomy/Art/Adorno: with the attempt to save the concept of autonomy for art, Adorno takes the side of bourgeois aesthetics. He does this by liberating the concept of autonomy from his idealistic essentiality. Thus he posits himself VsBenjamin.
Work of art/Benjamin: Thesis: a work that exhibits the right tendency must necessarily show every other quality. (Benjamin, Versuche über Brecht, p.96).
Tendency/Benjamin: Aesthetics itself has a political character.

A I
Th. W. Adorno/M.Horkheimer
Dialektik der Aufklärung Frankfurt 1978

A II
Theodor W. Adorno
Negative Dialektik Frankfurt/M. 2000

A III
Theodor W. Adorno
Ästhetische Theorie Frankfurt/M. 1973

A IV
Theodor W. Adorno
Minima Moralia Frankfurt/M. 2003

A IX
Theodor W. Adorno
Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003

A V
Theodor W. Adorno
Philosophie der neuen Musik Frankfurt/M. 1995

A VI
Theodor W. Adorno
Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071

A VII
Theodor W. Adorno
Noten zur Literatur (I–IV) Frankfurt/M. 2002

A VIII
Theodor W. Adorno
Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003

A XI
Theodor W. Adorno
Über Walter Benjamin Frankfurt/M. 1990

A XII
Theodor W. Adorno
Philosophische Terminologie Bd. 1 Frankfurt/M. 1973

A XIII
Theodor W. Adorno
Philosophische Terminologie Bd. 2 Frankfurt/M. 1974

A X
Friedemann Grenz
Adornos Philosophie in Grundbegriffen. Auflösung einiger Deutungsprobleme Frankfurt/M. 1984


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Ed. Martin Schulz, access date 2017-04-27