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Th.W. Adorno - Philosophy Dictionary of Arguments | |||
Theodor W. Adorno (1903–1969): German philosopher. A key figure in the Frankfurt School, known for critical theory and interdisciplinary research. Major works include "Dialectic of Enlightenment", "Negative Dialectics", and influential studies on culture, aesthetics, and society.
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Art: according to the traditional conception, art is a social sphere that is not directly focused on the maintenance of life functions. For this reason it opens up a certain freedom and possibility of knowledge. In the modern age, the idea of the evading of art has evolved in the face of a widespread through-organization of more and more areas of life. This development can lead to an ever-barred understanding ("hermetics"). See also aesthetics, works of art, critique, society, history, enlightenment, recognition._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
Author | Item | More concepts for author | |
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Adorno, Th.W. | Art | Adorno | |
Benjamin, Walter | Art | Benjamin | |
Bourdieu, Pierre | Art | Bourdieu | |
Croce, Benedetto | Art | Croce | |
Dewey, John | Art | Dewey | |
Eco, Umberto | Art | Eco | |
Epicurus | Art | Epicurus | |
Flusser, Vilém | Art | Flusser | |
Gadamer, Hans-Georg | Art | Gadamer | |
Habermas, Jürgen | Art | Habermas | |
Hegel, G.W.F. | Art | Hegel | |
Horkheimer, Max | Art | Horkheimer | |
Kant, Immanuel | Art | Kant | |
Lévi-Strauss, Claude | Art | Lévi-Strauss | |
McLuhan, Marshall | Art | McLuhan | |
Nietzsche, Friedrich | Art | Nietzsche | |
Phenomenology | Art | Phenomenology | |
Schiller, Friedrich | Art | Schiller | |
Sophists | Art | Sophists | |
Trotsky, Leon | Art | Trotsky | |
Weber, Max | Art | Weber | |
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