Psychology Dictionary of Arguments

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Sense Data Theory: The sense data theory holds that when we perceive an object, we are directly aware of a mental representation of the object called a sense datum. Sense data are supposed to be private and subjective, and they are not identical to the objects that they represent. See also Perception, Knowledge, Experience, Seeing, Qualia, Qualities, World/Thinking, Stimuli, Proximal theory, Distal theory.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

Nelson Goodman on Sense Data Theory - Dictionary of Arguments

IV 18
Some authors assume that sense data are primarily given. The difficulty with such speech is that neither a sensation nor anything else is unlabelled.
The thinking is actively involved in the perception. It makes ordering necessary identifiable.
>World/Thinking
, >Perception, >Nature, >Reality; cf. >Thing in itself.

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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

G IV
N. Goodman
Catherine Z. Elgin
Reconceptions in Philosophy and Other Arts and Sciences, Indianapolis 1988
German Edition:
Revisionen Frankfurt 1989

Goodman I
N. Goodman
Ways of Worldmaking, Indianapolis/Cambridge 1978
German Edition:
Weisen der Welterzeugung Frankfurt 1984

Goodman II
N. Goodman
Fact, Fiction and Forecast, New York 1982
German Edition:
Tatsache Fiktion Voraussage Frankfurt 1988

Goodman III
N. Goodman
Languages of Art. An Approach to a Theory of Symbols, Indianapolis 1976
German Edition:
Sprachen der Kunst Frankfurt 1997


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