I 103
Technic">

Psychology Dictionary of Arguments

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Terminology: This section explains special features of the language used by the individual authors.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

Vilém Flusser on Terminology - Dictionary of Arguments

I 71 - I 68
Technical Images/techno-images/Terminology/Flusser: "auto-reflexive" function of the technical images.
I 103
Technical Images/techno-images/Flusser: are to be regarded genetically as a step back from the texts (especially optics and chemistry) and they are consequences of scientific progress.
I 135
techno-images: pictures that do not mean scenes, but texts.
I 148
Technology/Flusser: Apparatus - Operator
Def Apparatus: "Tool for generating technical images".
Def Operator: "Technician for apparatus".
I 166
Technology/Flusser: Def Apparatuses: are historical products, products of linear texts. Apparatuses are designed by texts and generate technical images. (techno-images).
I 210
Symbols not only show meaning, but conceal meaning, they are not only meaningful but are also giving insanity.
Hell arises when people forget that in the codified world they are not only staggering around like in a dungeon, but that the codified world has been agreed to allow this oblivion of death.
I 202
Politics/Flusser: Def Politicize/Flusser: Politicizing carries the private into public space. On television, politicians enter the private sphere and depoliticize it.
- - -
Rötzer I 58
Art/Flusser: Art making is about making something that has never been there before and therefore cannot be foreseen by any given program.
Rötzer I 71
Culture/Flusser: if the selection of sounds is determined by chance, one speaks of nature, it is determined by humans, one speaks of culture.
- - -
Flusser I 102
Photography/Flusser: Photographs are not the photographer's attempt to get a picture of the world, but rather attempts to get an impression of concepts the photographer has regarding a picture.
I 84 ff
Codes/Flusser:
a) Pre-alphabet
b) Alphabet
c) Post-alphabet
Code functionality:
a) TextsI 86
Steps/Image/Flusser:
1. pictograms
2. ideograms
3. hieroglyphics
4. letters. (1 3 precursor of the alphabet: all linear codes)

I 107
Alienating/Estrangement/Distancing/Flusser:
Alienation 1: the human being is expelled from the "world", tries to bridge the abyss with pictures (Magic Consciousness).
>Pictures/Flusser
, >Techno-image/Flusser.
Alienation 2: The mediation performance of the image is disturbed, the human leaves the world of images and tries to bridge the abyss with texts.
109
New point of view: historical awareness. Over time, the texts become opaque, unimaginable (>Alienation 3). Our texts no longer mediate, because behind them we no longer see images, but ourselves as creators.

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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Fl I
V. Flusser
Kommunikologie Mannheim 1996

Rötz I
F. Rötzer
Kunst machen? München 1991

Fl I
V. Flusser
Kommunikologie Mannheim 1996


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