Philosophy Dictionary of ArgumentsHome
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| Art: according to the traditional conception, art is a social sphere that is not directly focused on the maintenance of life functions. For this reason it opens up a certain freedom and possibility of knowledge. In the modern age, the idea of the evading of art has evolved in the face of a widespread through-organization of more and more areas of life. This development can lead to an ever-barred understanding ("hermetics"). See also aesthetics, works of art, critique, society, history, enlightenment, recognition._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
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Claude Lévi-Strauss on Art - Dictionary of Arguments
I 36 Art/Lévi-Strauss: the artist has something of the scholar and the hobbyist at the same time. One creates events through structures, the other structures through events. Works of art: are mostly miniature models of their sublime themes. I 38 The strength of this model lies in the fact that it compensates for the renunciation of sensual dimensions by gaining intellectual dimensions. >Bricolage/Lévi-Strauss, >Event/Lévi-Strauss._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
LevSt I Claude Lévi-Strauss La pensée sauvage, Paris 1962 German Edition: Das Wilde Denken Frankfurt/M. 1973 LevSt II C. Levi-Strauss The Savage Mind (The Nature of Human Society Series) Chicago 1966 |
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