Philosophy Dictionary of ArgumentsHome | |||
| |||
Author | Concept | Summary/Quotes | Sources |
---|---|---|---|
Friedrich Schiller on Art - Dictionary of Arguments
Gadamer I 61 Art/Schiller/Gadamer: The grounding of aesthetic judgement on an a priori of subjectivity was to take on a whole new meaning when the meaning of transcendental philosophical reflection changed among Kant's successors. When the metaphysical background that justified Kant's preference for natural beauty and bound the concept of genius back to nature no longer exists, the problem of art arises in a new sense. >Subjectivity, >Aesthetics, >Aesthetic perception, >Aesthetic experience, >Aesthetic consciousness. Taste/Judgement/SchillerVsKant: The very way in which Schiller took up Kant's "Critique of Judgement" and used the full force of his moral-pedagogical temperament for the idea of an "aesthetic education" made the standpoint of art take precedence over the Kantian standpoint of taste and judgement. From the standpoint of art, the relationship between the Kantian concepts of taste and genius is now shifting from the ground up. The more comprehensive concept had to become that of genius - conversely, the phenomenon of taste had to devalue itself. >Genius/Kant, >Taste/Kant._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Schiller, Friedrich Gadamer I Hans-Georg Gadamer Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010 Gadamer II H. G. Gadamer The Relevance of the Beautiful, London 1986 German Edition: Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977 |