Philosophy Dictionary of ArgumentsHome
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Hans-Georg Gadamer on Simultaneity - Dictionary of Arguments
I 132 Simultaneity/Artwork/Work of Art/Representation/Gadamer: (...) the being of the work of art is subject to simultaneity. It constitutes the essence of it. It is not the simultaneity of the aesthetic consciousness. For this simultaneity means the simultaneity and the indifference of different aesthetic objects of experience in one consciousness. On the other hand, what we mean here is that a single object that presents itself to us, however distant its origin, gains full presence in its representation. Simultaneity is thus not a given fact in consciousness, but a task for consciousness and a performance that is demanded of it. It consists in adhering to the thing in such a way that it becomes, but that means that all mediation is suspended in total presence. Cf. >Simultaneity/Kierkegaard._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Gadamer I Hans-Georg Gadamer Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010 Gadamer II H. G. Gadamer The Relevance of the Beautiful, London 1986 German Edition: Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977 |
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> Counter arguments against Gadamer
> Counter arguments in relation to Simultaneity
Ed. Martin Schulz, access date 2024-04-20