Philosophy Dictionary of ArgumentsHome
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| Imagination, philosophy: imaginations are mental representations of non-present situations, events, states, sensory perceptions, experiences with certain characteristics, tones, sound sequences, sounds, noises, voices, smells, heat, coldness etc. The imagination of something undefined is not possible. Understanding a sentence can create an idea of the corresponding situation or image. See also representations past, future, mental states._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
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N. Goodman on Imagination - Dictionary of Arguments
IV 119 A discourse on mental images is not less intersubjective as a discourse on objects. >Intersubjectivity. IV 115 If having this imagination is constructed with the help of my ability to describe descriptions or images of imagination, then these descriptions are not descriptions or representations of the idea, but rather imagination descriptions and imagination representations. What happens is rather the replacement of alleged statements about imaginations by statements about objects and events. IV 124 Mental image: a mental image is not an intangible image but a skill. I can, for example, say to the extent that I have a mental image of a horse, as I am able to draw a horse, or to describe it. IV 122ff Sometimes this is uncertain and the linguistic reports cannot always be taken at face value. The request to describe a given imagination as such is easily confused with the request to tell of what the imagination is. IV 125 The "imagination" and the "image in consciousness" have disappeared. The dangers and the difficulties of interpretation increase when rotation and the like is mentioned. There must be a speech on rotation, which does not presuppose that there are images that swirl around in the head. >Images._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
G IV N. Goodman Catherine Z. Elgin Reconceptions in Philosophy and Other Arts and Sciences, Indianapolis 1988 German Edition: Revisionen Frankfurt 1989 Goodman I N. Goodman Ways of Worldmaking, Indianapolis/Cambridge 1978 German Edition: Weisen der Welterzeugung Frankfurt 1984 Goodman II N. Goodman Fact, Fiction and Forecast, New York 1982 German Edition: Tatsache Fiktion Voraussage Frankfurt 1988 Goodman III N. Goodman Languages of Art. An Approach to a Theory of Symbols, Indianapolis 1976 German Edition: Sprachen der Kunst Frankfurt 1997 |
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> Counter arguments against Goodman
> Counter arguments in relation to Imagination
Ed. Martin Schulz, access date 2024-04-19