Philosophy Dictionary of ArgumentsHome
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| Terminology: This section explains special features of the language used by the individual authors. _____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
| Author | Concept | Summary/Quotes | Sources |
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Friedrich Nietzsche on Terminology - Dictionary of Arguments
Ries II 11 Crisis/Nietzsche: is to be pushed forward to revaluate all values. Ries II 11 Amor fati/Nietzsche: the highest state a philosopher can attain: to think Dionysian in relation to existence. Ries II 13 Noon/Nietzsche: A mature old tree, embraced by the rich love of a vine and hidden from itself. At the moment of happiness, the course of time seems to stop. Ries II 16 Nietzsche: Seafaring passion for the "unknown", which lies in a direction "where all the suns of mankind have so far gone down". Ries II 17 Zarathustra/Nietzsche: Thesis: the meaning of life is love. Ries II 19 Happiness/Nietzsche: Zarathustra: the happiness of my existence, to express its puzzle form, I have already died as my father, as my mother I am still alive, and I am getting old. Ries II 20 Nietzsche/Biography: Nietzsche met Jacob Burckhardt. During the Franco-German war, he was a voluntary nurse for several months. Ries II 25 "Dark antiquity": The term comes from Jacob Burckhardt. (Not literally!). Ries II 28 Apollonian/Nietzsche: Symbol of the world as an apparition, in the sense of the Schopenhauer concept of imagination. Deceptive liberation from the terrible Dionysian knowledge of "primal pain". Apollonian/Nietzsche: Art medium Dionysian/Nietzsche: Wisdom Apollonian/Dionysian/Nietzsche: in the end, they both speak each other's language. There is no point in a world game circling in itself, which the will in eternal lust plays with itself. Ries II 29 Tragedy: Schopenhauer: Pathos as primal pain - Nietzsche primordial lust. Ries II 30 Nietzsche: Zarathustra: From the smile of Dionysus the Olympic gods were born, from his tears the human was created. Ries II 30 Pessimism/Nietzsche: "Beyond Good and Evil": a philosophy that dares to lower morality itself into the world of appearances, namely appearance as deception, illusion, delusion, error. Ries II 29/30 Nietzsche/Biography/Ries: by the "Birth of the Tragedy" he was scientifically dead as a philologist. Ries II 49 Human/All too human/Nietzsche: 2nd main piece: "The Wanderer and his Shadow": "Shadow philosophy"/Shadow/Nietzsche: in which the "objects" lose their physicality. Noon/Nietzsche: Whosoever had an active and stormy morning, whose soul is overwhelmed by a strange quietness around the noon of life... It is a death with awake eyes. Ries II 50 Jesus/Christianity/Nietzsche: Parable "The Prisoners" (The Gay Science): the son of the guard: I will save you, but only those of you who believe that I am the son (Jesus) of the prison guard. Ries II 55 Gay Science/Nietzsche: Science of the free spirit. Ries II 57 Eternal return/Nietzsche: (Zarathustra) the thought invaded Nietzsche in August 1881 at the lake of Silvaplana. Like when one day or at night a demon in your loneliest solitude stalked you and said: "You will have to live this life as you loved it and love it now, once more and countless times. And there will be nothing new about it, but every pain and every desire and every thought and sigh and all unspeakably small and big things of your life must come back to you and everything in the same order and also this spider and this moonlight between the trees... would you not bow down and grind your teeth and curse the demon who spoke like that? >Eternal return/Nietzsche. The question with everyone and everything: 'Do you want to do this again and again and countless times?' would lie as the heaviest weight on your actions!" Ries II 58/ 59 Zarathustra/Nietzsche: as a classic figure, reversal of history, "overcoming morality". Zarathustra, who once created the most fatal error of morality, himself - he is also the first to recognize him the heavyweight has given way from things. The whole divine horizon has been wiped away. Ries II 60/61 The last human/Nietzsche: Opposite image of the superhuman, vegetating at the end of civilization. The last man smells badly! Ries II 62 Three stages: past, present, future: Camel/Nietzsche: idealistic stage, obedience, theological absolutism "thou shalt". Löwe/Nietzsche: idealism turns against itself, against the thousand-years old "great dragon" of the "thou shalt" dominating it: "I will". Ries II 63 Kind/Nietzsche: but the freedom of this "I want" is still constituted by what it denies: morality, metaphysics, religion. Only the third stage brings the innocence of becoming beyond good and evil. >Morality/Nietzsche, >Metaphysics/Nietzsche, >Religion/Nietzsche. Ries II 64 Self-conquest/Nietzsche: Where I found something alive, I found the will to power... life itself spoke to me: I am what must always overcome itself. The will overcomes itself to its purest form: the will to power. Thus constant repetition, thereby circularity, thus return of the same always! Ries II 65 Dionysian/Nietzsche: Existence in Dionysian immediacy remains subject to appearances. Ries II 70 Redemption of the "higher humans": Figures/Equalities/Zarathustra/Nietzsche/Ries: Schopenhauer: Schopenhauer is caricatured by Nietzsche in the Zarathustra as the fortune teller of great fatigue. The two kings/Zarathustra/Nietzsche: 1. despiser of the false representation of the political 2. the Conscientious of the spirit (the scientist). The old Sorcerer/Zarathustra/Nietzsche: Richard Wagner. The old Pope/Zarathustra/Nietzsche: the pious man mourning for the "dead God" and pious in this grief. The ugliest man/Zarathustra/Nietzsche: "the murderer of God", the great self-loathing and disgusted by humans. The voluntary beggar/Zarathustra/Nietzsche: the selfless human. The shadow of Zarathustra: the free spirit. They are all as the "remnant of God" deeply desperate and failed. They all caricature themselves at the donkey festival. The always same Ries II A of the donkey as the Dionysian saying-yes to the whole of being. Ries II 71 Noon/Zarathustra/Nietzsche: through the "noon abyss" Zarathustra falls "into the well of eternity". The ship is no longer being praised for its departure into the unknown, but for its return to the "quietest bay". --- Danto III 207 Terminology/Blonde Beast/Nietzsche/Danto: the expression blonde beast has no direct reference to Germans or Aryans in Nietzsche. This passage refers to "Roman, Arabic, Germanic, Japanese nobility, Homeric heroes, Scandinavian Vikings".(1) Most likely, the "Blonde Beast" is a literary topos for "Lion", the so-called King of the Animals. Danto III 218 Internalisation/Terminology/Nietzsche/Danto: Nietzsche calls internalisation the phenomenon that a drive still discharges when prohibited, but not against an external object, but rather an internal object, the person himself. This phenomenon plays a role in the further development of consciousness. (2) >Internalization. Danto III 219 Bad conscience: It is possible that people may remain in the state of mere self-aggression or mere self-loathing. That is what Nietzsche calls a guilty conscience. 1. Vgl. F. Nietzsche, Zur Genealogie der Moral, KGW VI. 2, p. 289. 2. Ibid. p. 338_____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Nie I Friedrich Nietzsche Sämtliche Werke: Kritische Studienausgabe Berlin 2009 Nie V F. Nietzsche Beyond Good and Evil 2014 Ries II Wiebrecht Ries Nietzsche zur Einführung Hamburg 1990 Danto I A. C. Danto Connections to the World - The Basic Concepts of Philosophy, New York 1989 German Edition: Wege zur Welt München 1999 Danto III Arthur C. Danto Nietzsche as Philosopher: An Original Study, New York 1965 German Edition: Nietzsche als Philosoph München 1998 Danto VII A. C. Danto The Philosophical Disenfranchisement of Art (Columbia Classics in Philosophy) New York 2005 |
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Ed. Martin Schulz, access date 2024-04-18