Philosophy Dictionary of Arguments

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Form, philosophy: A. Form traditionally is an antonym of matter or content. Form is the structure or arrangement of something. It is the way that something is organized or composed. Form can be found in art, music, literature, architecture, nature and language. See also statue/clay, exterior/interior, Wholes, Parts, Dualism, Substance, Substrate, Change, Process. B. In logic it comes to the form in which statements must be expressed in order to allow conclusions. See also Fine-grained/coarse-grained, Completeness, Theories, Systems, Formalism.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

Umberto Eco on Forms - Dictionary of Arguments

I 150
Definition "Good Form"/Gestalt Psychology: the "good form" is the model that requires the least information and possesses the greatest redundancy.
I 152
"Good form"/Eco: this means that the term "good form" loses all ontological necessity. It does not imply an already defining structure of the perceptual processes.
The subject can renounce the good form in favour of other possibilities. So good form is no longer a matter of course for our expectations. Good form depends on culture. And it encourages the expectation of the average person.
>Taste.


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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Eco I
U. Eco
Opera aperta, Milano 1962, 1967
German Edition:
Das offene Kunstwerk Frankfurt/M. 1977

Eco II
U, Eco
La struttura assente, Milano 1968
German Edition:
Einführung in die Semiotik München 1972


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Ed. Martin Schulz, access date 2024-04-23
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