Philosophy Dictionary of ArgumentsHome
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Umberto Eco on Enlightenment - Dictionary of Arguments
I 36 Enlightenment/Eco: between enlightenment and romanticism emerges an idea of "pure poetry", precisely because the rejection of universally valid ideas and abstract laws advocated by British empiricism emphasizes the poet's "freedom" and thus announces a theme of "creation". >Literature, >Aesthetics, >Abstractness, >British Empiricism._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Eco I U. Eco Opera aperta, Milano 1962, 1967 German Edition: Das offene Kunstwerk Frankfurt/M. 1977 Eco II U, Eco La struttura assente, Milano 1968 German Edition: Einführung in die Semiotik München 1972 |
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> Counter arguments against Eco
> Counter arguments in relation to Enlightenment
Ed. Martin Schulz, access date 2024-04-19