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Music: Music is a form of art that organizes sound in time and space. The physical parameters amplitude and frequency control the sensual qualities pitch and volume. Tone colors are formed by superpositions of partials, chords by superposition of different pitches. Durations are another parameter. Experiential dimensions correspond to the physical parameters. See also Art, Artworks, Aesthetics, Aesthetic experience.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

Friedrich Nietzsche on Music - Dictionary of Arguments

Pfotenhauer IV 36
Individuation/Music/Philosophy/Nietzsche: Nietzsche speaks of a "mysterious primordial one" of the "World Harmony" and the "higher commonality" into which the one enters(1), who ecstatically forgets himself, who escapes the fate of the individual.
>World/Nietzsche
.
Pfotenhauer: "This thought of redemption in higher harmony is oriented towards music. Nietzsche himself speaks of a "profound metaphysics of music" (section 5, p. 42) in analogy to Schopenhauer.
The music in which the Dionysian state is in actual woe is the philosophical place of art, in which the process of becoming is shut down.
>Art/Nietzsche, >Schopenhauer.

1.F. Nietzsche, Die Geburt der Tragödie, KGW VI, 3, p. 26.
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Danto III 80
Music/NietzscheVsWagner/Wagner/Nietzsche/Danto: Wagner could not live up to the high artistic demands of "The Birth of the Tragedy"(1). Nietzsche saw himself as a composer, just as Wagner saw himself as a philosopher.
Danto III 81
Nietzsche has only heard a very small portion of Wagner's music, and if so, only passages from rehearsals.
Danto III 84
NietzscheVsWagner/NietzscheVsSchopenhauer: they deny life, they slander it, so they are my antipodes. (Nietzsche versus Wagner (1888), "Wir Antipoden", KGW VI. 3, p. 423.). Humanity owes a lot of evil to these rapturous drunkards.(2)


1. F. Nietzsche, Die Geburt der Tragödie, KGW VI, 3, p. 26
2. Ibid. Chap. 5, p. 42.

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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Nie I
Friedrich Nietzsche
Sämtliche Werke: Kritische Studienausgabe Berlin 2009

Nie V
F. Nietzsche
Beyond Good and Evil 2014

Pfot I
Helmut Pfotenhauer
Die Kunst als Physiologie. Nietzsches ästhetische Theorie und literarische Produktion. Stuttgart 1985

Danto I
A. C. Danto
Connections to the World - The Basic Concepts of Philosophy, New York 1989
German Edition:
Wege zur Welt München 1999

Danto III
Arthur C. Danto
Nietzsche as Philosopher: An Original Study, New York 1965
German Edition:
Nietzsche als Philosoph München 1998

Danto VII
A. C. Danto
The Philosophical Disenfranchisement of Art (Columbia Classics in Philosophy) New York 2005


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