Philosophy Dictionary of ArgumentsHome
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| Art: according to the traditional conception, art is a social sphere that is not directly focused on the maintenance of life functions. For this reason it opens up a certain freedom and possibility of knowledge. In the modern age, the idea of the evading of art has evolved in the face of a widespread through-organization of more and more areas of life. This development can lead to an ever-barred understanding ("hermetics"). See also aesthetics, works of art, critique, society, history, enlightenment, recognition._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
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Benedetto Croce on Art - Dictionary of Arguments
Eco I 61 Art/Croce/Eco: Doctrine of the totalitarian character of artistic expression. Every true artistic representation is itself and the universe. >Artworks, >Representation, >Universe, Cf. >Aesthetic Consciousness, >Aesthetics, >World, >World/Thinking._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Croce I B. Croce History Brought Under the General Concept of Art, in: In Rebecca Copenhaver & Brian P. A. Copenhaver (eds.), From Kant to Croce: Modern Philosophy in Italy 1800-1950. University of Toronto Press. pp. 484-514 (2012) German Edition: Die Geschichte auf den allgemeinen Begriff der Kunst gebracht Hamburg 1984 Eco I U. Eco Opera aperta, Milano 1962, 1967 German Edition: Das offene Kunstwerk Frankfurt/M. 1977 Eco II U, Eco La struttura assente, Milano 1968 German Edition: Einführung in die Semiotik München 1972 |
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