Philosophy Dictionary of ArgumentsHome
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| Painting: Painting is the act of creating a visual image on a solid surface using paint or another medium. See also art, Artworks, Aesthetics, Artists, Pictures._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
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Umberto Eco on Painting - Dictionary of Arguments
I 154 Painting/open artwork/Eco: a painting is a "field" of interpretative possibilities. I 154 Structure/Eco: an intrusion into the structure itself can already be found in Tintoretto. I 154 Futurism/Cubism/Eco: new mobility is made possible by the stability of the original forms, which are confirmed again in negation by deformation and dissolution! I 155 Informal, abstract expressionism: abstract expressionism is not a movement, because the picture is there. It is about the viewer's movement. I 168 Meaning/information/Eco: a picturesque configuration that transmits a certain sum of syntactic relationships rather than semantic references also has a meaning. It is constituted in proportion to the order, the conventionality and thus the redundancy of the structure. It is all the more clear and unambiguous the more I adhere to probability rules and an organizational law that are pre-determined. >Semantics, >Rules, >Systems, >Symbols, >Syntax, >Convention, >Structures, >Information, >Meaning._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Eco I U. Eco Opera aperta, Milano 1962, 1967 German Edition: Das offene Kunstwerk Frankfurt/M. 1977 Eco II U, Eco La struttura assente, Milano 1968 German Edition: Einführung in die Semiotik München 1972 |
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Ed. Martin Schulz, access date 2024-04-19