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The author or concept searched is found in the following 2 entries.
| Disputed term/author/ism | Author |
Entry |
Reference |
|---|---|---|---|
| Appearance | Leibniz | Holz I 128 In itself/Appearance/Leibniz/Josef König: their relationship with Leibniz is a dialectical one. It again corresponds exactly to the scheme of the "Overlapping General": The in-itself is the genre of itself (!), The in-itself, and its opposite, of the phenomenon. See also "the overarching general". I 129 This does not mean the fact that the phenomenon is always the appearance of an in-itself (which is the meaning of the word). KantVsLeibniz: for then the phenomenon could still be different from that whose appearance it is, and hence no knowledge of the object is possible. (This is how Kant sees the relationship). >Thing in itself/Kant. LeibnizVsKant: Leibniz insists that the phenomenon is the same as the in-itself, which manifests itself in the phenomenon. >Phenomena/Leibniz. The world does this in perception. This it how it duplicates itself in two respects. 1. As a whole, however, from a different perspective 2. It appears spatially as the dissociation of the various substances, 3. It appears as a temporal succession of different perceptions. The system of perceptions is "well-founded," because it is nothing but the self-restraining activity of the original power of the in-itself. The difference between the in-itself and the appearance is the difference of the in-itself itself! This is the totality and principle of its difference. >Totality/Leibniz. --- I 130 Hence the phenomenon is not standing out from the in-itself, but a kind of the same, and as such something quite real. Appearance/world/Leibniz: the world always appears only insofar as it is expressed as being-such of a single monad. Phenomenality/Leibniz: the way in which the thing-to-be-expressed is contained in the expressed. Every expression is a phenomenon. It is well founded because, the in-itself, the phenomenon is identical with it and establishes it as a appearing in-itself. The phenomenon is not opposed to reality (VsKant), but precisely its specific mode of being in the process of universal representation. Therefore, all perceptions in all individual substances must correspond to one another. >Perception/Leibniz. --- I 131 Unity/Leibniz: only in this way can all the different monads perceive one and the same appearance. This is the "harmony universal" (universal harmony, see above) in process form, in which all appearances are linked, because they are appearances of the same in-itself. Phenomenon/Representation/Leibniz: that means, however, that all beings are phenomenal. (Just as it is at the same time in-itself). Since representation with Leibniz is a universal and general process, every being must be a phenomenon for every other being. >Unity/Leibniz. |
Lei II G. W. Leibniz Philosophical Texts (Oxford Philosophical Texts) Oxford 1998 Holz I Hans Heinz Holz Leibniz Frankfurt 1992 Holz II Hans Heinz Holz Descartes Frankfurt/M. 1994 |
| Maximum | Leibniz | Holz I 86 World/totality/Leibniz: the construction of the totality corresponds to the calculus. Maximum: is the infinite set of different substanceialities. (World) Minimum: is the representation of the whole in the individual. (Representation). >Totality/Leibniz, >World/Leibniz, >Infinity/Leibniz, >Representation/Leibniz. I 87 LeibnizVsLocke: the connection of the infinite set of predicates and the idea of infinity as unity: that is the exact opposite of the mere addition of manifold. This excludes the idea of infinity from the range of quantity! There is no "infinite number". Also no infinite line. >Unity/Leibniz. |
Lei II G. W. Leibniz Philosophical Texts (Oxford Philosophical Texts) Oxford 1998 Holz I Hans Heinz Holz Leibniz Frankfurt 1992 Holz II Hans Heinz Holz Descartes Frankfurt/M. 1994 |
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