Economics Dictionary of ArgumentsHome
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| Leo Tolstoy: Leo Tolstoy (1828–1910) was a Russian writer renowned for his novels "War and Peace" and "Anna Karenina."_____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
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Oswald Spengler on Tolstoy - Dictionary of Arguments
Brocker I 117 Tolstoy/Spengler: In Dostoevsky Spengler saw the actual proclaimer of a new world era to come: "Tolstoy is the past, Dostoevsky the Russia to come. […] Christianity in Tolstoy was a misunderstanding. He spoke of Christ and meant Marx. The next millennium belongs to Dostoyevsky's Christianity".(1) >Dostoevsky, >Christianity, >World History. 1. Oswald Spengler, Der Untergang des Abendlandes. Umrisse einer Morphologie der Weltgeschichte, Bd. 1: Gestalt und Wirklichkeit, Wien/Leipzig 1918; umgestaltete Aufl. München 1923; Bd. 2: Welthistorische Perspektiven, München 1922. Oswald Spengler, Der Untergang des Abendlandes. Umrisse einer Morphologie der Weltgeschichte. Vollständige Ausgabe in einem Band, München 1963, p. 792, 794. Hans-Christof Klaus, Oswald Spengler, Der Untergang des Abendlandes (1918/1922) in: Manfred Brocker (Hg.) Geschichte des politischen Denkens. Das 20. Jahrhundert. Frankfurt/M. 2018._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Spengler I Oswald Spengler Politische Schriften München 1932 Brocker I Manfred Brocker Geschichte des politischen Denkens. Das 20. Jahrhundert Frankfurt/M. 2018 |
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